Black Mirror is not, according to its creator Charlie Brooker, anti-technology. It’s concerned, rather, with technology’s potential to worsen human weaknesses. “I think that’s what Black Mirror is saying,” Brooker said in an interview to promote series two of the show. “What if the pace of change [of technology] is out of control, and we haven’t evolved to deal with it yet in the same way that we as basic apes haven’t really evolved to take responsibility for nuclear weapons?”
In White Christmas, a feature long episode that follows the previous two series, that theme is certainly visible. Utilising a format that seems particularly Christmassy, the film began with Matt Trent (Jon Hamm) and Joe Potter (Rafe Spall) – workers, seemingly, in an isolated location – sitting down to tell each other stories in a cold cabin.
Like most of Black Mirror, Matt’s story dealt with a society more connected than ever thanks to technology, and yet one in which isolation and loneliness remains, and if anything is made worse by that technology. In this world, everyone has gadgets implanted into their eyes, presumably at birth, that opens up a world of possibilities and problems.